In 1878, young Mame Sutton escapes her oppressive father through a quick marriage to the charming stage manager of a New York theatre, while her younger sister Lizzie makes the same escape by eloping with a young Jewish jeweler. Which sister has made the better choice? Life for Mame in a theatrical boarding house in 1878 offers new kinds of friendships and unexpected challenges. Through the tales of the theatre workers, she gets a backstage look at the Gilded Age of the Astors, Goulds, and Rockefellers, but she has no share in the freedom given to the ladies of the stage. Her husband's view of a wife's role is as narrow as her father's idea of a daughter's role was. How can Mame break free? For Lizzie, marriage into the Cohen family offers warmth and support, but also cultural differences and expectations which she finds hard to master. Her husband, though loving and tolerant of her mistakes, is financially dependent on his family. Lizzie longs for a life apart from the Cohen world. When disasters shake their worlds, can the sisters help each other onto new paths?
