Novelist and critic Dale Peck's latest work, part memoir, part extended essay, is a foray into what the author calls the second half of the first half of the AIDS epidemic'. Reminiscent of Joan Didion's The White Album and Kurt Vonnegut's Palm Sunday, Visions and Revisions has been assembled from over a dozen essays and articles that have been extensively rewritten and recombined to form a sweeping, collage-style portrait of a tumultuous era.'
