Julian Freeman's 16 essays on British art turn the subject on its heads, its side and - without pretending to formally reassess it - give it a good shaking. Deliberately provocative and affectionate by turns, he moves from discursive commentaries on the art of the home counties of the British Isles to consider some of the ways in which Brits of all colours and persuasions have handled the practice of art - from inspiration and inception through creation in its countless modes to the testy business of exhibiting. Deliberately opinionated and stupendously accurate.
About the book
Julian Freeman's 16 essays on British art turn the subject on its heads, its side and - without pretending to formally reassess it - give it a good shaking. Deliberately provocative and affectionate by turns, he moves from discursive commentaries on the art of the home counties of the British Isles to consider some of the ways in which Brits of all colours and persuasions have handled the practice of art - from inspiration and inception through creation in its countless modes to the testy business of exhibiting. Deliberately opinionated and stupendously accurate.