Jules Clement is back in Blue Deer, working as an archaeologist and private investigator. He's a mostly happy man: he's a new father, and he and his wife Caroline are building their dream house on an idyllic patch of river bottomland. But everything that can go wrong will, in terms of money, love, and murder. The horrible neighbors enlist Jules to spy on each other. The county hires him to find out if a road runs over some misplaced bodies in a long-abandoned potter's field. A former priest with a side hustle in extortion ends up very dead. A crew of Russians in fast cars is running amok through the Montana landscape. All this as an old nemesis returns, pulling Jules back to confront what he's been avoiding his entire life: the death of his father. Published alongside new editions of the entire series, The River View is further proof that 'you haven't been west in any meaningful sense until you've been to Blue Deer'(The New York Times).
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If you are not yet a Turnaround customer, and would like to sell our books, please do contact [email protected] or call 020 8829 3000 and we will be delighted to help you.
Jules Clement is back in Blue Deer, working as an archaeologist and private investigator. He's a mostly happy man: he's a new father, and he and his wife Caroline are building their dream house on an idyllic patch of river bottomland. But everything that can go wrong will, in terms of money, love, and murder. The horrible neighbors enlist Jules to spy on each other. The county hires him to find out if a road runs over some misplaced bodies in a long-abandoned potter's field. A former priest with a side hustle in extortion ends up very dead. A crew of Russians in fast cars is running amok through the Montana landscape. All this as an old nemesis returns, pulling Jules back to confront what he's been avoiding his entire life: the death of his father. Published alongside new editions of the entire series, The River View is further proof that 'you haven't been west in any meaningful sense until you've been to Blue Deer'(The New York Times).
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