Tasha Weaver is most at home in the cozy backstage world of the Eastbrook Playhouse. As the costume shop head at the charming regional theatre, she's used to watching dramatic acts of love and revenge from the shadows. But when Kurt Mozer - the insufferable Broadway reject who stars in their production of Annie Get Your Gun - is shot centre stage, the spotlight turns to her. Everyone knows Kurt was difficult to work with, and after he got into a fight with both director Marnie Mason and artistic leader Arthur Winston, he promptly decided to quit the show. In deep financial trouble, the Eastbrook Playhouse depended on a big name like Kurt to keep afloat. With reporters coming in from the Big Apple to Tasha's little corner of Connecticut, she realizes it's up to her to save their local theatre and keep her community safe. After all, the show must go on - but what do you do when the killer could very well be one of your loved ones? With the help of her friends, her long-time crush Bruno
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Tasha Weaver is most at home in the cozy backstage world of the Eastbrook Playhouse. As the costume shop head at the charming regional theatre, she's used to watching dramatic acts of love and revenge from the shadows. But when Kurt Mozer - the insufferable Broadway reject who stars in their production of Annie Get Your Gun - is shot centre stage, the spotlight turns to her. Everyone knows Kurt was difficult to work with, and after he got into a fight with both director Marnie Mason and artistic leader Arthur Winston, he promptly decided to quit the show. In deep financial trouble, the Eastbrook Playhouse depended on a big name like Kurt to keep afloat. With reporters coming in from the Big Apple to Tasha's little corner of Connecticut, she realizes it's up to her to save their local theatre and keep her community safe. After all, the show must go on - but what do you do when the killer could very well be one of your loved ones? With the help of her friends, her long-time crush Bruno
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